Month: August 2008

Total 20 Posts

Where Is Your List?

Todd’s

I love this. Todd has quietly collated 26 video files and mapped them to a list of 30 literary terms.

20. personification – Comcast: Stop Worrying About Time [D/L], Epuron: His Potential Is OursAn awesome commercial which Todd and I discussed almost a year ago. [D/L]

Johan’s

Elsewhere, Johan earns a dy/dan merit badge for polishing off the complete archives in under a fortnight (skipping and skimming frequently, I hope) and for finding classroom application in an old show and tell video:

This is what I call epiphany: I just realised the chocolate bunny video [“How to kill a chocolate bunny” will be a perfect way to introduce the types of heat transfer in my physics class

Yours

Certain videos are more substantial than others but the fact is this: someone somewhere is using your content area to create the culture your students consume daily. This has always been the case but only recently could you download it, play it, and talk about it.

So love what you teach and sharpen your eyes to find what you love embroidered within the fabric of popular culture. Don’t present these videos to your students as gimmicks or, worse, as winking concessions to their allegedly lowbrow tastes. These videos are important to them, which makes them important to you.

dy/av : 008 : behind the scenes


dy/av : 008 : behind the scenes from Dan Meyer on Vimeo.

Tags

instructional design, lesson planning, creative process

iPod Edition

dy/av : 008 : behind the scenes (640 x 480)

Previous Episodes

dy/av : 007 : the motiongraphics episode
dy/av : 006 : carver’s classroom management
dy/av : 005 : how i work
dy/av : 004 : thank you, teaching
dy/av : 003 : on the office
dy/av : 002 : the next-gen lecturer
dy/av : 001 : earn the medium

dy/av : 008 : preview

The question comes up once per episode: what tools do you use?

I should have compiled a colophon or an FAQ long ago. Tomorrow I’ll take you behind the spikey-topped gates of dy/av studios, but the tour won’t cover many technical specs so I’ll use this space for the colophon:

Hardware. Canon GL2, primary camera. Canon PowerShot S800, secondary cameraa small point-and-shoot useful for shots which demand I (eg.) sniff deodorant covertly in a supermarket. PowerMacG5 (Quad Core, 2.5 GHz, 4.5 GB RAM, ridiculous). Sennheiser Microphone.

Software. Final Cut Pro, the basic sequencer. Adobe Photoshop & After Effects, the one-two punch responsible for anything especially interesting (cf. that bridge shot in the second episode; all of episode seven).

Time. approx. 12 hours per episode split across three hours pre-production (writing), two hours production (shooting), seven hours post-production (editing).

Music. Three artists, almost exclusively. Lykke Li. Jay Z’s live set at Glastonbury. Mike Skinner.

Motivating Question

The ultimate end of your classroom structures should be invisibility. eg. The best classroom management is unnoticeable. The best classroom lesson plan camouflages the planning while pushing the learning to the foreground. The extreme opposite of this is the teacher who creates a new seating chart every day.

  • How have you set up your classroom routine so that the wires and pulleys disappear?

On Math And Breaking A Guinness World Record

a/k/a Because It Was There

The Ingredients

[left to right]

  1. me, twenty-two years old, anxious.
  2. paperclips, 60,000, sponsored by OfficeDepot in exchange for (full disclosure!) t-shirt advertising.
  3. a cable spool, begged off a Sacramento Municipal Utilities District back lot.
  4. wax paper, lots, to keep layers of paperclips from tangling on the spool halfway through the task, because that is a very very disappointing thing.
  5. a CD-R, burned with one essential Excel spreadsheet.
  6. measuring wheel, ’cause no one cares about your paperclip chain unless you can measure it end-to-end.
  7. a log book, signing me in and out of bathroom breaks.
  8. Starbucks Double Shots™, nine, the most expensive component here, to push me through the 9PM to 6AM corridor.
  9. Digital-8 cassettes, 24 hours worth, because Guinness requires nonstop video coverage.
  10. food

My Best Case

This is my best case for math education.

Not that, “hey kids! if you learn your fractions you, too, can accomplish something of very questionable value, like chaining paperclips together for 24 continuous hours.”

Rather, that math can uncomplicate the complicated, that an understanding of math leads to a richer understanding of the world.

For Example

In 2000, Ms. Jeanine Van der Meiren of Belgium chained together 22,025 paperclips in 24 hours.

If you are innumerate, your best response here is “that’s a lotta paperclips.” Which is how most of my students responded to this prompt the last week of school. But if you are numerate at even a basic level, you have only one option here.

You have to answer the question: how fast is that?

The question is irresistible.

By Hand

Jeanine set the record with 3.9 seconds per clip!

Think about that.

Mime it.

Use your hands.

“Clip two three four … clip two three four …. ”

The numerate math student realizes that the record is really, really slow. If he is also a little socially disordered, his next steps are predetermined.

He has to break it.

In The Classroom

  1. Groups of two or three.
  2. Show them a few pictures and make sure they realize what a few gracious friends can do for you here.
  3. Count how many clips one person can chain in one minute.
  4. Ask: is that rate fast enough to bring Jeanine down? They will take one of three routes to get there (proportions, rates, unit conversion) but most groups will determine that yes, they could.
  5. Discuss the assumption they’ve made, that they could maintain that monotony for 24 hours.
  6. Have another member take a turn for five minutes.
  7. Play it dumb: “Oh man, Alyssa crushed Kyle by 47 paperclips right there!” Kyle will correct your error (indignantly) before you finish the sentence.
  8. Have them answer the question, then: who is faster and by how much?, pointing out that the answer isn’t, “Alyssa is faster by 47 paperclips.” because a paperclip isn’t a measure of speed.

California says you’re done with rates now. Nice.

Stretch This A Little Farther

Suggest that Alyssa is faster than Kyle by .1 second per paperclip. She has trained just a little more and can chain ’em just a little faster. Ask if it matters.

It surprises no one that, yeah, any small gain positively explodes over 24 hoursThis is why I went through boxes of paperclips before the actual attempt, looking for the best way to chain two clips, looking for the best way to position the clips in front of me, looking to shave off any fraction of a second., but the exact increase is kind of shocking.

Now wrap your head around the relevance of rates to your life. If your boyfriend drags your self-esteem down by tiny increments daily, you’re going to stagger away from him after a year.

Get In / Get Out

It’s essential to know when to get out of a good story, joke, or learning moment. There was more to talk about but we didn’t, choosing instead to leave a few ends hanging.

One of those ends was a spreadsheet I cooked up for the occasion using formulas my students all know from our Feltron days.

My former-housemate-now-commenter Steve would enter in a) my clip count and b) the current time, and my Excel sheet would tell me:

  1. my pace over the attempt so far,
  2. my pace over the last 1,000 paperclips,
  3. my expected total clips after 24 hours,
  4. my expected total chain length after 24 hours,
  5. the exact time, given my pace, I could expect to break Jeanine’s record.

See: I don’t know how you attempt this record without those last three. Without math, you’re just clipping in the dark, just sorta sure you’ll bring the record down before the clock expires, just sorta sure your pace isn’t steadily slackening.

What I’m saying is that basic numeracy makes everything a little less confusing and, at the same time, a whole lot more curious.

Which is why I teach.

For The Record

The Best Article I Read On My Honeymoon

I found dy/dan listed as a “video-blog” the other day which means I should probably a) clarify to new, unwitting subscribers that this video thing has an expiration date, and b) return to writing, however irregularly.

So on my honeymoon, I read:

Recut, Reframe, Recycle, in which a blue-ribbon panel of lawyers, judges, and legal experts distill Fair Use into layman’s terms, leaning as heavily on viral video citations as legal precedent for illustration.

The culture that is emerging can be channeled, encouraged, even deformed, but it cannot be cut off. The people formerly known as the audience are not returning to their previous state. Tomorrowโ€™s makers will continue to use the popular culture they interact with as raw material for their own work.

Yeah. Thought that’d get your participatory media motors running. An incredible document, if you’re even slightly inclined toward video production and Internet distribution.