Dan Meyer

Total 1628 Posts
I'm Dan and this is my blog. I'm a former high school math teacher and current head of teaching at Desmos. He / him. More here.

The Best Vodcaster Alive

I can’t tell you what an exhilarating experience this has been โ€“ writing, shooting, and editing this slate of ten vodcasts. It’s like turning over a rock and finding a new language, one which gives voice to a lot of thoughts you’ve had banging around in your head, thoughts that have been looking for an exit for a long time.

I’m still trying to navigate this new grammar, trying to avoid the film equivalent of run-on, illiterate sentences. I’m finding the equivalence between shots & edits and sentences & punctuation, finding inspiration in Hillman Curtis, who is the most literate voice in online film today, particularly if we control the selection for a certain DIY ethos. Please watch the first half, if not the whole, of his portrait of artist Lawrence Weiner.

You are in the stream of life whether you like it or not. And if you’re going to be in the stream of life then you have to accept the responsibilities. I would like a few more pleasures but there doesn’t seem to be time. โ€“ Lawrence Weiner, on what it is to be an artist.

Vodcasters like Ze Frank understand that good video is largely about compression, about sharp edits compressing the time between thoughts, events, and locations. (ie. here you’re in Belize, now you’re in Chattanooga) Hillman Curtis gets that great video โ€“ like great writing โ€“ moves to a rhythm, one which must speed and slow.

Curtis understands that, in film, as in writing, you can force the reader to slow.

And think.

And breathe.

By breaking up the text.

Or, in video, by lengthening the shots.

A third of the way through the Lawrence Weiner portrait, Hillman Curtis does just that with a long, slow tracking shot, the rails obvious beneath the camera, laying bare the mechanics of film.

The odds are 5:2 at best but I may score a video production class this upcoming school year in addition to my usual slate of Algebra, Algebra, Algebra. I couldn’t be more excited.

[BTW: didn’t score that class. life goes on.]

dy/av : 010 : the season finale


dy/av : 010 : the season finale from Dan Meyer on Vimeo.

Tags

dyav, autobiographical

iPod Edition

dy/av : 010 : the season finale (640 x 480)

Previous Episodes

dy/av : 009 : don’t be prez
dy/av : 008 : behind the scenes
dy/av : 007 : the motiongraphics episode
dy/av : 006 : carver’s classroom management
dy/av : 005 : how i work
dy/av : 004 : thank you, teaching
dy/av : 003 : on the office
dy/av : 002 : the next-gen lecturer
dy/av : 001 : earn the medium

The Teacher Your Students Want

[BTW: Hm. A bit of a reach here with this one. Which is to say, I’ve been overly prescriptive. Surely there are as many good ways to interact with students as there are students.]

I’ll receive kids in a week, which means it’s time to figure this out.

With more experience I have become more intimidated by the first day of school. I know what it implies, and it implies far worse than “no second chance to make a first impression,” a maxim best applied to amiable strangers.

Because your kids are not amiable strangers. The older they are, the more you must account for the carelessness of their past teachers. By high school, many students are only curious if you’re one of the teachers who likes them or one who hates themThe same goes for parents of students, to a lesser extent.. They aren’t inclined to consider the shades of gray between the two extremes or that, for many teachers, liking or hating students simply isn’t part of the equation.

Worse, many would prefer to find out you hate them. It is easier for these students to spend a year sparring with an antagonist than confronting the vastness of What They Don’t Know with an ally. These students will assess any curt correction or brusque manner as antagonism.

Clearly, you must construct your initial teaching profile carefully.

The Ideal Teacher Profile

In two sentences, here is the teacher profile that will do you the most good with the most students. Your students want:

a teacher who is capable of unkindness but who chooses instead to be kind, a teacher who is capable of severity but who chooses levity instead.

They don’t want a cruel teacher, obviously, but neither do students appreciate a teacher made of soft edges and kittens, someone wholly unfamiliar with the unkindness they must endure on a day-to-day basis.

Similarly, few students appreciate a morose bore, but neither do they appreciate a chuckling clown, someone who never quite graduated from a desk yet somehow made it to the lectern. They want someone who understands both masks.

You Have Three Seconds To Stop Hiccuping

The best way to find that median is to treat subjective silliness with as much dour objectivity as you possibly can, for as long as you possibly can, without cracking. Take it easy on the heavy stuff and go hard on the light stuff. Keep a loose grip on your rules but angle severe eyebrows at anyone who’d suggest The Jonas Brothers aren’t the best summer band of all time, etc.

This makes you slippery, like Teflon to kids who’d like to pin you down as a hater. It buys you time to show them you c*re. Whatever credibility four years teaching has endowed me, I’ll invest it in this: this is the ideal way to start the school year.

It isn’t a bad way to do the rest of the year either.

[BTW: I got one today. A kid came in clowning hard, looking to assert real fast what he was about, looking to find out what I was about. He has obviously rattled other teachers in the past.

I’m not saying I know how this is going to end but I know how I wasn’t going to let it begin. Out of twenty-four students in class, his was the only name I knew. Yet when I was running down the roster taking role, I asked his name just like any other. I wasn’t going to give him any celebrity. I wasn’t going to let him know his circus-act even registered.]

We Need Fewer Heroes

Eduwonkette is in top form today, first, taking the stuffing out of the hottest, gap-closingest new charter school in New York, one which manages to cherrypick students while still representing itself as “unscreened”:

To apply to be part of the first entering class at the Bronx Center for Science and Mathematics, students were asked to provide their most recent report card and two letters of recommendation, one from an 8th grade teacher and one from a guidance counselor, principal, or assistant principal.

Second, she calls down fire on movies like Freedom Writers and Lean on Me for promoting the idea that a successful teacher must mortgage her entire life, divorcing anything and everything unrelated to her job.

Not Unrelatedly

  1. Classroom Distinctions, which takes Freedom Writers to task in several thousand fewer words than I did back when.
  2. Teaching and Shortcuts, in which Chris Lehmann leaps off dy/av : 008 and wonders what teaching looks like as a sustainable career, particularly for us rookies. Few answers there. Mine would probably involve some salary multiplier but then I probably also need to realign my priorities. Sorry, self-sacrificing teacher buds.

dy/av : 009 : don’t be prez


dy/av : 009 : don’t be prez from Dan Meyer on Vimeo.

Tags

dyav, classroom management, teacher, teaching, the wire, prez

References

iPod Edition

dy/av : 009 : don’t be prez (640 x 480)

Previous Episodes

dy/av : 008 : behind the scenes
dy/av : 007 : the motiongraphics episode
dy/av : 006 : carver’s classroom management
dy/av : 005 : how i work
dy/av : 004 : thank you, teaching
dy/av : 003 : on the office
dy/av : 002 : the next-gen lecturer
dy/av : 001 : earn the medium