Year: 2007

Total 339 Posts

Stephen Fry On Lesson Design

I’m trying hard to identify why the look of something matters to me more and more, often rivaling the importance of the thing itself. Why, for example, does a clear, attractive handout matter to me as much as what’s on the handout?

Stephen Fry, in an article which has absolutely nothing to do with teaching, kinda nails it for me.

Apple gets plenty of small things wrong, but one big thing it gets right: when you use a device every day, you cannot help, as a human being, but have an emotional relationship with it. It’s true of cars and cookers, and it’s true of computers. It’s true of office blocks and houses, and it’s true of mobiles and satnavs. [It’s true for me of lessons and handouts. -ed.] A grey box is not good enough, clunky and ugly is not good enough. Sick building syndrome exists, and so does sick hand-held device syndrome. Fiddly buttons, blocky icons, sickeningly stupid nested menus – these are the enemy. They waste time, militate against function and lower the spirits. They make the user feel frustrated and (quite wrongly) dense. Mechanisms so devilishly, stunningly, jaw-dropping clever as the kind our world can now furnish us with are No Good Whatsoever if they don’t also bring a smile to our face, if they don’t make us want to stroke, touch, fondle, fiddle, gurgle, purr and coo. Interacting with a digital device should be like interacting with a baby.

So, yes, beauty matters. Boy, does it matter. It is not surface, it is not an extra, it is the thing itself. Le style, c’est le truc, as De Buffon would have written today.

It’s the fact that these handouts, these lessons, these presentations, are a daily thing for us and our students. They have to be pretty to look at and touch.

I need to start tearing pages out of all your playbooks on how to make a pretty classroom. If you haven’t already seen my playbook, here’s how to design pretty handouts.

Graphing Stories In Illinois

Most fun I’ve had all weekend is reading Jackie’s write-up of her class’ experience with that Graphing Stories unit I put together last school year.

We havenโ€™t formally talked about slope yet, as for right now, weโ€™re going for a more intuitive approach. I want them to understand slope as a rate of change, as opposed to thinking about slope as โ€œmโ€.

It seemed only natural to toss in Dan Meyerโ€™s Graphing Stories, so I brought it up during PLC time a few weeks ago. The other teachers loved it. Thus, Dan made an appearance in each of our classrooms this week. One teacher passed him off as her husband – she told her students they spend their weekends making math movies.

She shows me up, though, drawing a lot more discussion out of it than I did with my own lesson. (Heh … whoops.) She showed the one where I walk down the stairs …

… and had kids come up and draw the answer on the whiteboard. The first student didn’t account for the time my elevation was constant.

At that point, I jumped back in to help direct the conversation (some of them still try to get their points across by TALKING LOUDER). After a few minutes of discussing the first answer, we watched it a couple of more times. Then someone else volunteered to put up another.

Kids arguing over math. Man … I remember that. Can’t wait for that unit now. It’s gonna come earlier this year since this year I won’t spend three weeks getting knocked around trying to introduce it traditionally.

Classmates From The South

Rosalia showed up in my third period class a few weeks ago. She came from Colima. She speaks no English. (I’m woefully weak on my codings โ€“ is she an L1 or an L5?) As a school, our diversity is primarily economic, not racial, leaving very little second-language support for your humble narrator, suddenly pressed into the service of bilingual education.

This hasn’t been a nightmare. This has, in fact, been one of the best parts of teaching for a coupla reasons:

  1. I speak Spanish. And thank god for that. Not well, mind you. I mean, you’ve met me. Linguistically speaking, I’m the rugby player who was built like an oak table in college but who went to seed after graduation. My Spanish is flabby but my fluency crosses a very particular threshold where she can easily teach me words I don’t know.
  2. The other students love our new multiculturalism. And I’m so glad that worked out. It blows their mind somehow that I speak Spanish, as if they’d discovered some secret double life I’d been living without them.

    For example, they were still chattering and didn’t notice when Rosalia came in, but two words into my instructions (“Cada día en esta clase, empecemos con la opener alla,“) and you could hear the ocean breaking on rocks twelve miles away.

    I’ve never had to hassle anyone into being her partner whenever the work has required partners. Other students love learning new words in Spanish, which is kind of an easy stance to take when you’re in the linguistic majority but damn if Rosalia isn’t adventurous also, building her English vocabulary whenever possible.

  3. Modifications I make for Rosalia make my teaching better for the entire class. I speak slower. I gesture more. I use more pictures. I enunciate better. Etc. Etc.

Her sister sat in on class last week and today swapped in from her old math class (taught by a fella who speaks English and English). Both have started calling out answers during lecture, which is just a cool state of affairs.

Letting CineMe Lapse

Every week for three years I’d watch a movie in theaters and then post a few hundred words on it to a website, my first home on the Internet, CineMe. Initially I was looking for access to the Online Film Critic Society and all the free tickets, free screeners, and derisive laughter entitled to its membership.

Eventually I saddled up with a different group of online film enthusiasts, kept watching, kept writing about some really good movies and some really awful ones.

It got me writing regularly, an essential precursor to writing well. It made me a better storyteller. The effect of all that research and peer-review has insinuated itself into my teaching in some very weird, very cool ways.

Anyway, since starting teaching, since leaving college, I’ve gone from a movie a week to a few a month to very few at all. I don’t review movies. I blog about teaching. The site comes up for renewal this week and I’m cutting her loose.

It’d be easy for me to get nostalgic here, to feel like I’m putting a knife to a fixture of my college years, fall afternoons spent pulling cheap tickets to UC Davis screenings, dodging a class or two in favor of a matinée downtown (by myself, by design), hitting the Mill Valley Film Festival with Michael K., getting positively wrecked by 25th Hour, Eternal Sunshine of the Spotless Mind, et cetera.

It’d be easy to feel that way but I’m trying not to. Every interval of my life has been hard. Every interval has been great. I find that the more I indulge nostalgia, the more I romanticize what once was, the more cowardly I become making decisions about what could be.

Required Reading:

Trick or Trick

Y’know how no matter how many Friday afternoons you experience in a lifetime, no matter how long ago you shoulda become inured to the joy of a weekend, it still thrills you? Halloween is like that for me, only several hundred miles in the other direction.

  • INT. HIGH SCHOOL MATH CLASSROOM - DAY
  • DAN MEYER, 25, tall, arms built like telephone poles, greets the last in a stream of costumed pimps, witches, whores, and stabbing victims.
  • He stands in front of the class and smiles warmly.
  • MR. MEYER
  • Hey guys. Good to see you. Happy Halloween. I thought today we'd watch a Halloween video for the first half of class and then for the second I've hidden candy around the class for you to find.
  • The class REJOICES.
  • THE KILLER FROM SAW
  • Sick!
  • A CHIPPENDALE DANCER
  • Really?!
  • MR. MEYER
  • Ha ha ... uh ... no. I do have a test for you, though.
  • The class DESPAIRS.

Is Halloween international? Is there a country where I don’t hafta put up with this?