Month: January 2008

Total 44 Posts

Information Design: Where To Start

Cosine asked:

… although I like computers and pick up fast, I have little to no information design experience. In other words, I am your dream: a tabula rasa. Where do I begin?

A response via e-mail to another reader asking, essentially, the same question:

Frankly, if it were me, I’d start out with pen & paper. Probably graph paper. Even with my atrocious penmanship and drawing skills, I’d just start representing information in stacks. eg. if I spent twice as much time reading books as watching t.v., I’d make sure the one stack was twice as tall as the other, a design feat made easy with graphing paper.

Not long after that I’d start looking for ways to make my graphs consistent โ€“ same stack width, same block letterhead heading each graph, same colors โ€“ slowly building my way from a merely functional design to an attractive, useful one.

Then I’d scan the paper in or take a picture of it.

No sense in fettering imagination with technology. Just stick with what feels comfortable until the uncomfortable starts to look interesting.

Until I’m able to put some introductory level stuff up here, you’ve got Arthus, blogging away at his technique in a multi-part series.

Updated:

This blogging thing turns back in on itself:

  • Re: course surveys, per Jackie and Vivek’s suggestions, I elided the “neutral” option and gave it here at mid-year versus an exclusive end-of-year administration when the mood is artificially buoyant.
  • Re: my school’s sick new tardy policy, the numbers are in: 43% decline in tardies over the same interval last year. I dig this thing. It takes the emotion out of discipline. Nothing gets heated. “Hey, cool, you’re here. Just leave your passport at the door.” ¶ This is a good start. Now that we’ve got kids in class it’s time to give ’em reason enough to stay there.

Sinister Storytelling

See what I did there?

Tom Hoffman connects the storytelling buzz I’m holding down to the recently closed Annual Report Contest and worries that their sum will create a generation of PR flacks.

Do we benefit from identifying with corporations, of thinking of ourselves as a kind of corporation? Do we need further encouragement to define ourselves in terms of quantified income and a mass of consumption habits? I think not.

I don’t disagree with any of that but it simply isn’t true that by creating a summary of your year (whether that’s a two-page double-spaced narrative or an assemblage of facts, charts, and figures like we have here) you’re aligning yourself with corporate interests or engaging in their sort of truth-obfuscation.

Tom’s call for vigilance is warranted, but misplaced at my doorstep.

Your Annual Report Contest: Awards

  1. First Place & People’s Choice Award:
    Iain Campbell

    The judges’ decision as explained by Nicholas Felton:

    It’s odd because every year someone will request that I make some sort of online tool that will allow others to make annual reports that look like mine. But what’s great about all of your entries is that the design of them is just as communicative as the data.

    That said, I do have my biases for clarity of communication, and I was impressed by the submission of Iain Campbell. But it’s not just the polish of his entry that I admired. I appreciated how he focuses on the areas that define him, and I am reading a great story in his entry.

  2. Second Place:
    Sameer Shah

    The judges’ decision as explained by Paul Williams:

    A collection of deeply personal but highly interesting data, that was developed into truly thought provoking design. Mixed typography colour, size and font with coloured graphical highlights really worked exceptionally well with such muted and clean backgrounds. The themes of indecision, travel, change and hope all intermingle to give this year in report form give a priceless insight into Sameer’s personal journey this year. Overall the fun really stands out in this entry, snapshots of moments that transport us on a path of discovery about music, and friendships (both new and old). Outstanding was the cry from this judge.

  3. Third Place (tie):
    Arthus Erea &

    Dave Stacey